Understanding Swar & Notation
- Shuddha Swaras: Sa Re Ga Ma Pa Dha Ni
- Komal Swaras:
(K)— e.g. G(K), D(K) - Teevra Swara:
(T)— e.g. M(T) - Octaves:
.S, .R, .G= Mandra (lower)S, R, G= Madhya (middle)S’, R’, G’= Taar (higher)
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Sargam Notations
INTRO / STARTING MUSIC: Pa. SaSa ReSaReGa(K) MaGa(K)Ga(K)Re ReG(K)Re Pa. Ni.Ni. SaNi.SaRe MaGa(K)Ga(K)Re ReGa(K)Sa Pa. SaSa ReSaReGa(K) MaGa(K)Ga(K)Re ReGa(K)Re Pa. Ni.Ni. SaNi.SaRe MaGa(K)Ga(K)Re ReGa(K)Sa MUKHDA: Ashi Chik Motyachi Maal Pa Pa | Sa Pa Pa Dha(K) | Pa Ma Ma Ma Hoti Ga Tees Tolyachi Ga Ga(K) Ma Dha(K) | Pa Ma Ga(K) Re | Re Ma Ga(K) Re | Sa Ni. Chik Motyachi Maal Pa. Ni. Ni. Sa | Re Ma Ma Ma Hoti Ga Tees Tolyachi Ga Re Ma Dha(K) | Pa Ma | Ga(K) Re | Re Ma Ga(K) Re Sa ANTARA: Jasa Ganpaticha Gonda Pa Pa | Sa Pa Pa Dha(K) | Pa Ma Ma Ma Chaurangi Lal Bapata Ga Ga(K) Ma Dha(K) | Pa Ma Ga(K) Re | Re Ma Ga(K) Re | Sa Ni. Ganpaticha Gonda Pa. Ni. Ni. Sa | Re Ma Ma Ma Chaurangi Lal Bapata Ga Re Ma Dha(K) | Pa Ma | Ga(K) Re | Re Ma Ga(K) Re Sa MIDDLE MUSIC: (Same four-line pattern as the Starting Music) CHARAN / ANTARA 2: Ya Chik Malela Pa | Pa Pa | Pa Dha(K) | Pa Pa Reshami Bavashar Dor Ga Sa’ Sa’ Sa’ | Ni Ni | Ni Pa | Pa Dha(K) Pa Pa (Repeat Ya-Chik / Reshami couplet) ANTARA 3: Mau Reshmachya Doryat Pa Pa | Sa Pa Pa Dha(K) | Pa Ma Ma Naurangi Maal Ovali Ga Ga(K) Ma Dha(K) | Pa Ma Ga(K) Re | Re Ma Ga(K) Re | Sa Ni. Reshmachya Doryat Pa. Ni. Ni. Sa | Re Ma Ma Ma Naurangi Maal Ovali Ga Re Ma Dha(K) | Pa Ma | Ga(K) Re | Re Ma Ga(K) Re Sa NOTE: Song continues following the same Mukhda–Antara structure.